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MTC has been joining forces with Virtual School Victoria for several years in order to facilitate drama education of the highest calibre, no matter where a student is located. This work will become even more vital for the Company over the coming months.
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As Asia TOPA continues to light up Melbourne in celebration of the artists & cultures in the Asia-Pacific region, we are thrilled to be part of this fantastic festival once again.
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Benjamin Law’s debut stage work looks beneath the layers of collected memory to discover the cause of one mother’s affliction.
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Laura Wade's Home, I'm Darling takes us back to the 1950s, via a uniquely 21st-century perspective. But how realistic are contemporary understandings of this decade?
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Kiss of the Spider Woman is set in an unnamed South American jail cell, seemingly sometime in the 20th century, but the political and social reality that inspired its setting is stark: Argentina’s Dirty War.
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Kiss of the Spider Woman has had at least four different lives over its four-decade history. We take a look back at its often groundbreaking journey from page to stage to silver screen and Broadway.
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Through the story of one pioneering woman in science, Photograph 51 tells a story familiar to all women in science.
Coffee in the Lounge
Actors Miranda Tapsell and Tuuli Narkle discuss Aboriginality, representation and sisterly bonds in Black is the New White.
Education
See how costumes are 'broken down’ to make them just right for the world on stage.
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Actor Gabrielle Chan’s role in Golden Shield is informed by a wealth of personal experiences; not all of which are easy to relive.
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The powerhouse playwright discusses how a conversation with her cousin became the catalyst for writing her most successful play to date.
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Costume and set designers Esther Marie and Rebecca Hayes have conceptualised an imposing, yet intimate physical space for Golden Shield.
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We speak to the puppetry team who are giving life to a menagerie of creatures in Storm Boy.
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Director Tom Healey discusses the power of transformation, both on and off the stage.
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Director Tom Healey explores how the possibility to transform exists in us all, and looks at how this concept evolves in Heisenberg.