Interview
Following Eurovision, world tours, major musicals, TV shows and an acclaimed fifth studio album, Keir Nuttall and Kate Miller-Heidke return to the world of Shakespeare this year to compose for MTC’s season of Shakespeare’s musical comedy, As You Like It.
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After 10 programs, Brett Sheehy is hanging up his hat as Artistic Director of MTC. He leaves the Company with a legacy of incredible work and innovative initiatives.
Interview
Award-winning British playwright Dennis Kelly may be best known to audiences for his adaptations of Matilda and Pinocchio, but Girls & Boys is a very different kind of family story. He talks to us about fatherhood, relationships and believing women.
Interview
Touching the Void dramatises the true story of climbers Joe Simpson and Simon Yates, and their treacherous descent down a glacial Andean mountain. Ahead of its Australian premiere at MTC, the real Yates spoke to us about the beauty and humour of climbing.
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Outgoing MTC Artistic Director Brett Sheehy offers some insight into the plays of Season 2022 – from personal reactions to programming reflections.
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Cyrano is not a musical but it is a show filled with music. The play’s musical director and composer, Xani Kolac, explains the difference – and tells us why this non-musical is also magical.
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Summer of the Seventeenth Doll playwright and former MTC Artistic Director Ray Lawler turned 100 on 23 May 2021. To celebrate, theatre and arts journalist John Bailey reflects on Lawler’s legacy.
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The Lifespan of a Fact offers audiences a playful, theatrical debate about the value of verifiable facts vs the power of poetic license. It's an age-old debate ... or is it? The history of fact checking may surprise you.
Interview
The story of The Lifespan of a Fact began almost 20 years ago. The play is a fictionalised version of non-fiction people and events. The real Jim Fingal spoke with MTC to reflect on the lifespan of The Lifespan of a Fact.
Interview
For the first time in the Company’s history, select MTC shows will be filmed and made available for a digital season you can enjoy on-demand from the comfort of your own couch.
Interview
After a year offstage, Michael Wahr is thrilled to return to MTC, and to all the joys and challenges of being a working actor.
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A ‘slightly overbearing’ oil painting – a sea-scape with dramatic rain clouds in an ornate frame – is a focal point in Christina Smith’s set design for Berlin. Read on to discover the story behind it, and the play’s big twist. Spoilers follow!
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MTC’s Associate Director reflects on the assumed and invisible lines that are crossed because of privilege, entitlement, celebrity and structural authority, and the subtle and sometimes invisible thresholds of power.
Interview
Writer and director Dean Bryant discusses slowing down, lockdown life as an arts worker, and taking 2020 to the stage with a group of friends.
Interview
From her home in Los Angeles, playwright Lally Katz speaks with MTC about travelling – through time and place – via her dreams.