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Screenwriter, playwright and Melbourne Theatre Company’s Playwriting Fellow Anchuli Felicia King on following her curiosity down rabbit holes and why she’s not interested in her own voice.
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Composer and Sound Designer Stefan Gregory discusses putting a contemporary musical frame around Tennessee Williams’s A Streetcar Named Desire.
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One of only a handful of fight directors in Australia, Lyndall Grant sheds light on the role, her involvement in The Almighty Sometimes and why 37 was one of her career highlights.
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Costume Designer Dann Barber reveals his inspiration for A Very Jewish Christmas Carol and his process for delving into the world of characters.
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Amy Cater, one of the first qualified Intimacy Coordinators in Australia, breaks down the role for us while discussing her work on Jacky and Is God Is.
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Composer Katie Weston gives us the low-down on writing the music for Bloom and why she connected so strongly to this unique, Australian story.
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Eugyeene Teh was captivated by the boundless possibilities of theatre from a young age. Read on to discover how he turned this passion into a career and how he tackled the set and costume design for one of the greatest plays ever written, Happy Days.
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Designer and theatre maker Romanie Harper is finishing the year strong at Melbourne Theatre Company – working on not one but both of our final shows, Girls & Boys and Sunshine Super Girl.
Interview
As Costume Designer for Come Rain or Come Shine Sophie Woodward sets her sights on the iconic eras of the late 70s and early 80s. She talks to us about getting these just right, how her career took off and some of her favourite productions so far.
Interview
Danni A. Esposito, the Sound Designer for The Sound Inside, is obsessed with dissecting scripts. They talk to us about where the obsession began, their career journey so far and the aural world of The Sound Inside.
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How do you create a mountain without actually building a mountain? Set designer Andrew Bailey tells us how he faced this challenge for Touching the Void – an epic tale of survival, endurance and adventure in the Peruvian Andes.
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After more than two years, Shakespeare’s As You Like It finally takes to the MTC stage. Associate Costume Designer and costume maker John Van Gastel takes us behind the scenes, and seams, of this epic journey.
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Cyrano is not a musical but it is a show filled with music. The play’s musical director and composer, Xani Kolac, explains the difference – and tells us why this non-musical is also magical.