Costume Designer Dann Barber reveals his inspiration for A Very Jewish Christmas Carol and his process for delving into the world of characters.
Composer Katie Weston gives us the low-down on writing the music for Bloom and why she connected so strongly to this unique, Australian story.
Eugyeene Teh was captivated by the boundless possibilities of theatre from a young age. Read on to discover how he turned this passion into a career and how he tackled the set and costume design for one of the greatest plays ever written, Happy Days.
Designer and theatre maker Romanie Harper is finishing the year strong at Melbourne Theatre Company – working on not one but both of our final shows, Girls & Boys and Sunshine Super Girl.
As Costume Designer for Come Rain or Come Shine Sophie Woodward sets her sights on the iconic eras of the late 70s and early 80s. She talks to us about getting these just right, how her career took off and some of her favourite productions so far.