Q&A
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Q&A
We sat down with Movement Director Vincent Crowley to find out how the cast of Seventeen transformed into teenagers.
Q&A
Cessalee Stovall discusses her character in Is God Is and why she is fascinated by the show’s exploration between the binaries of good and evil.
Q&A
Kevin Copeland discusses his approach to playing a complex and morally ambiguous character in Is God Is and why he believes the show, though dark, is ultimately hopeful and encourages empathy.
Q&A
Grant Young discusses playing Riley in Is God Is and why the show’s exploration of being an outsider and searching for belonging resonates with him.
Q&A
Clare Chihambakwe chats to us about her character in Is God Is, how the play explores nature and nurture and takes risks to bring us something we rarely see on stage.
Q&A
Darius Williams talks with us about his poetically aggressive character Scotch in Is God Is and how he is interpreting the shapes in Aleshea Harris’s text.
Q&A
Patrick Williams chats to us about his role in Is God Is and how the play balances lightness and darkness to take us on a wild ride.
Q&A
As one of the leads in the explosive Is God Is, Masego Pitso talks to us about what drives her character and how she is relishing finding the beauty of rage in her performance.
Q&A
Henrietta Enyonam Amevor chats to us about leaving nothing on the table to play Anaia, one of the leads in Is God Is, and why this high-octane story resonates with her like no other.
Interview
As our season of Happy Days comes to a close, Petra Kalive and Keegan Bragg take a moment to reflect on their experience as Director and Assistant Director on the show.
Interview
Meet Set & Costume Designer Renée Mulder and discover how she created the vibrant, honest costumes for Is God Is.
Q&A
Lighting Designer Rachel Lee discusses transitions, fixtures and mood in her lighting for I Wanna Be Yours.
Q&A
Composer and Sound Designer Mufeez Al Haq discusses his work on I Wanna Be Yours.
Q&A
We chat to Petra Kalive about her approach to directing Samuel Beckett’s Happy Days and her interpretation of this absurdist masterpiece.