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Multidisciplinary artist Jesse daCosta shares her experience of Is God Is and how it moved, confronted and spoke to her personally.
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For writer, actor and artist Effie Nkrumah, Is God Is transforms a historically white space into a catalyst for cleansing and coming together.
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You’re not alone in thinking ‘I don’t get it’ when it comes to Beckett. Our five-minute rundown is here to help.
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Dr Todd Fernando reflects on the themes of queer and Indigenous identities in Declan Furber Gillick's groundbreaking new play Jacky.
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Eugyeene Teh was captivated by the boundless possibilities of theatre from a young age. Read on to discover how he turned this passion into a career and how he tackled the set and costume design for one of the greatest plays ever written, Happy Days.
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For author Claire Thomas, Samuel Beckett’s image of a trapped woman in his absurdist masterpiece Happy Days is as potent as ever.
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Join us and celebrate some of our community of trailblazing women – onstage and off, and from yesterday, now and tomorrow.
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Award-winning author and educator Victoria Duckett has devoted 30 years to studying the great Sarah Bernhardt. Read on to discover why and how histories that include an eccentric maverick like Bernhardt prompt endless questions.
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Want to learn more about the issues and ideas that Prima Facie presents? Check out these reading suggestions from our friends at Melbourne bookstore Readings.
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Award-winning author Bri Lee reflects on Prima Facie’s indictment of our legal system that consistently fails women and how Suzie Miller got it (unfortunately) right.
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Discover more about the real people and events behind Anthony Weigh’s Sunday.
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As Executive Director & Co-CEO Virginia Lovett prepares to say goodbye to Melbourne Theatre Company, she joins us to look back and celebrate her momentous ten-year journey.
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Join us in celebrating our first cohort of assistant directors involved in the inaugural MinterEllison Future Directors Initiative.
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Though set in the UK, Girls & Boys by Dennis Kelly is vitally relevant for Australian audiences. Award-winning journalist Wendy Tuohy examines how the play ignites important discussions around family violence and women’s safety that cannot be ignored.
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Designer and theatre maker Romanie Harper is finishing the year strong at Melbourne Theatre Company – working on not one but both of our final shows, Girls & Boys and Sunshine Super Girl.