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Nikki Shiels chats to us about playing Heide Museum of Modern Art founder Sunday Reed and why this story deserves to be celebrated and reimagined today.
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Discover why Sheridan Harbridge is excited to bring the original Australian production of Prima Facie to Melbourne and why she thinks we’re even more willing to take on this story.
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Kate Mulvany shares why she can’t wait to step into the shoes of Sarah Bernhardt and celebrate a woman well ahead of her time in Bernhardt/Hamlet.
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We talk to Judith Lucy about making her Melbourne Theatre Company debut in Samuel Beckett’s Happy Days and why the play is still as relevant today as when it was written more than 60 years ago.
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Meet Oz Malik, one of the stars of I Wanna Be Yours, and find out why this play perfectly captures the experience of young, modern love in a multicultural city.
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Guy Simon tells us why he can’t wait to sink his teeth into a character as complex as Jacky in Declan Furber Gillick’s whip-smart new work.
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Discover what Henrietta Enyonam Amevor and Masego Pitso are most looking forward to about bringing the electrifying new work Is God Is to the Sumner stage.
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Anne Edmonds, Frankie J. Holden and Vidya Makan talk to us about the new Australian musical Bloom and what attracted them to this story that celebrates the power of music to connect us across generations.
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Alison Bell chats to us about playing the lead role in What If If Only by Caryl Churchill and how this short piece really packs a punch.
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Find out what Helen Morse admires most about Caryl Churchill’s writing and why playing Mrs Jarret in Escaped Alone is an incredible role.
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Hear from Zahra Newman about taking on the challenge of playing the great Billie Holiday in Lady Day at Emerson’s Bar & Grill.
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Evelyn Krape reveals why she can’t wait for audiences to see A Very Jewish Christmas Carol – a clever twist on Charles Dickens’s classic morality tale, set right here in Melbourne.