Q&A
Amelia Lever-Davidson sheds light on the task of illuminating Torch the Place.
Q&A
Torch the Place director Dean Bryant discusses the world premiere of a production overflowing with ideas.
Q&A
As Laura Wade’s award-winning play begins its Australian premiere season, we caught up with actor Nikki Shiels to find out what it has to say about indulging your dreams, living a fantasy, nostalgia and the modern condition.
Q&A
Benjamin Law shares his fears and excitements about joining the fold of a theatre company he has long admired.
Q&A
Yuchen Wang plays The Translator in Golden Shield, which is a role he carries around in his regular life as a bilingual artist living in an English-speaking country.
Q&A
Lighting designer Matt Scott helps sculpt a visual language for Shakespeare in Love.
Q&A
Meet MTC’s Storm Boy, Conor Lowe, who makes his professional debut playing the title character in Tom Holloway’s stage adaptation of Colin Thiele’s much-loved novel.
Q&A
Composer and Sound Designer Darrin Verhagen tells us about the sonic world of Storm Boy.
Q&A
Lighting designer Matt Scott explains the concepts and process for his work on Storm Boy.
Q&A
Lighting designer Niklas Pajanti discusses lighting effects as an expression of the characters in Così.
Q&A
We sat down with the cast of The Violent Outburst That Drew Me to You during rehearsals to hear more about their work.
Q&A
Composer and Sound Designer Ian Moorhead combines dubstep, Rambo and 8-bit video games in a sonic world for The Violent Outburst That Drew Me to You.
Q&A
Lighting Designer Amelia Lever-Davidson discusses her work on The Violent Outburst That Drew Me to You.
Q&A
Nicola Gunn ask herself a few important questions ahead of Working With Children.
Q&A
Chris Williams discusses how composition and sound design support the emotional core of play.