Q&A
Playwright Madelaine Nunn tells us about her play reading in Cybec Electric 2020.
Q&A
From watching influencers online for research to the unique challenges of working on a production where the script could be changing throughout the rehearsal process, Michelle Lim Davidson takes it all in her stride.
Q&A
Alistair Baldwin is one of nine talented playwrights presenting an excerpt of his work at MTC's 2020 Cybec Electric play readings.
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Playwright Andrea Fernandez tells us how her Spotify Playlists automatically transport her to the scenes she is writing.
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Playwright Emily Sheehan discusses the value of her writing community ahead of Cybec Electric 2020.
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Playwright Merlynn Tong tells us why she's excited to participate in Cybec Electric.
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Costume designer Kat Chan discusses heightened naturalism, Princess Diana’s maternity dresses, wigs and more.
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Toby Truslove talks about the difference between acting on stage and on screen, the joy of playing a man in love, and eating cake eight times a week.
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Currently working on Torch the Place, composer and sound designer Clemence Williams reveals how she uses sound to transport audiences through time and place.
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Amelia Lever-Davidson sheds light on the task of illuminating Torch the Place.
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Torch the Place director Dean Bryant discusses the world premiere of a production overflowing with ideas.
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As Laura Wade’s award-winning play begins its Australian premiere season, we caught up with actor Nikki Shiels to find out what it has to say about indulging your dreams, living a fantasy, nostalgia and the modern condition.
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Benjamin Law shares his fears and excitements about joining the fold of a theatre company he has long admired.
Q&A
Yuchen Wang plays The Translator in Golden Shield, which is a role he carries around in his regular life as a bilingual artist living in an English-speaking country.
Q&A
Lighting designer Matt Scott helps sculpt a visual language for Shakespeare in Love.