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We let visitors get a glimpse of what goes on behind the curtain.
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Bert LaBonté reflects on making his directorial debut with Suzan-Lori Parks's Topdog/Underdog.
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Making their debut as the card-hustling brothers in Topdog/Underdog, Damon Manns and Ras-Samuel have created a brotherhood that is as believable offstage as it is onstage.
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Following the passing of the much-loved member of the Melbourne Theatre Company community, we take a look at how his legacy continues in the theatre we named in his honour
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Set & Costume Designer Kat Chan on transporting audiences to Karaj in 2008 through costumes.
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Learn more about the pieces on display at Southbank Theatre
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Learn more about illustrator Nina Sepahpour and her window designs at Southbank Theatre.
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Composer and Sound Designer Stefan Gregory discusses putting a contemporary musical frame around Tennessee Williams’s A Streetcar Named Desire.
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Author and Teach Us Consent founder Chanel Contos reflects on the impact of Julia Gillard's 'misogyny speech' on the next generation of women.
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Jennifer Sarah Dean discusses the lessons she's learnt as assistant director to Hannah Goodwin.
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It may be set in 1940s New Orleans, but as Anne-Louise Sarks explains, A Streetcar Named Desire is a production for our time.
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One of only a handful of fight directors in Australia, Lyndall Grant sheds light on the role, her involvement in The Almighty Sometimes and why 37 was one of her career highlights.
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Set & Costume Designer Jacob Battista gives us an insight into designing the world of The Almighty Sometimes.
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Set & Costume Designer Dale Ferguson and Director Isaac Drandic sat down to discuss designing the world of the Cutting Cove Currawongs.
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Artist Emma Salmon explains the meaning of her piece commissioned by us for the season of 37.