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Learn more about the pieces on display at Southbank Theatre
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Composer and Sound Designer Stefan Gregory discusses putting a contemporary musical frame around Tennessee Williams’s A Streetcar Named Desire.
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Author and Teach Us Consent founder Chanel Contos reflects on the impact of Julia Gillard's 'misogyny speech' on the next generation of women.
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Jennifer Sarah Dean discusses the lessons she's learnt as assistant director to Hannah Goodwin.
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It may be set in 1940s New Orleans, but as Anne-Louise Sarks explains, A Streetcar Named Desire is a production for our time.
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One of only a handful of fight directors in Australia, Lyndall Grant sheds light on the role, her involvement in The Almighty Sometimes and why 37 was one of her career highlights.
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Set & Costume Designer Jacob Battista gives us an insight into designing the world of The Almighty Sometimes.
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Set & Costume Designer Dale Ferguson and Director Isaac Drandic sat down to discuss designing the world of the Cutting Cove Currawongs.
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Artist Emma Salmon explains the meaning of her piece commissioned by us for the season of 37.
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Join us this International Women’s Day to celebrate just some of those who make Melbourne Theatre Company what it is: a cultural institution committed to making theatre for everyone.
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Learn about the traditional Aboriginal game that inspired AFL and hear from artists continuing its legacy.
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Find out why Playwright Zinnie Harris used Orpheus and Eurydice as inspiration for Meet Me at Dawn.
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Learn more about how we create pathways for Australia's next directors from the 2022 and 2023 participants.
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Costume Designer Dann Barber reveals his inspiration for A Very Jewish Christmas Carol and his process for delving into the world of characters.