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Set Designer Anna Cordingley on power, property and the renowned St Kilda house that inspired the world of Much Ado About Nothing.
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Genevieve Morris on finding the humour and humanity to play Cory Taylor in Dying: A Memoir.
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Nephrologist Dr Adam Steinberg on why it's crucial to have open, frank conversations about our mortality, ahead of the world premiere of Benjamin Law's stage adaptation of Dying: A Memoir.
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A Q&A with Anne-Louise Sarks on the process of adapting and directing Rebecca for the stage.
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Ahead of the world premiere of his deeply moving new play, Dying: A Memoir — adapted from Cory Taylor’s acclaimed book — we caught up with writer and broadcaster Benjamin Law to find out his go-to café in Southbank and the chilli crisp he stocks up on for
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Assistant Director Linnea Tengroth on her connection to Destiny and the lessons she's learned from working with Director Zindzi Okenyo
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Academic Dr Finex Ndhlovu unpacks South Africa’s history and the shared legacies of colonialism across continents.
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Meet Kimberly, Pattie, Buddy, Seth, Aunt Debra and the Teen Quartet: Teresa, Martin, Aaron and Delia. They're the characters in your new favourite musical!
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Learn more the artistry behind Set & Costume Designer Christina Smith's designs for Mother Play, and the work of our talented Wardrobe department.
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Ahead of her starring role in Melbourne Theatre Company’s production of Rebecca, find out how many books Nikki Shiels has on the go and the basement bar she loves.
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Writer/Director Andrea James and Sound Designer & Composer James Henry on reclaiming culture and the power of music in The Black Woman of Gippsland.
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Ahead of her starring role in Mother Play, find out where Sigrid Thornton goes for a late-night meal after a performance and the Melbourne-based creative she is currently inspired by.
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Liv Satchell reveals why she wanted to be a part of Anne-Louise Sarks’s revival of The Removalists, her poignant interaction with an audience member and why David Williamson’s 1971 play remains startlingly relevant today.
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Never Have I Ever Assistant Director Aubrey Flood on what she learnt from the room and her advice for those looking for a career in the industry.