VCE DRAMA | SCHOOL YEARS 9–12
World Problems Resources
New to the Education Hub? Explore our quick guide.
Script notes
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Script Notes with Nathan Maynard, Syd Brisbane and Isaac Drandic
Playwright Nathan Maynard, Actor Syd Brisbane and Director Isaac Drandic discuss their script notes for 37.
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Script Notes with Vidya Makan and Dean Bryant
Vidya Makan and Dean Bryant discuss their script notes for the musical comedy Bloom - book and lyrics by Tom Gleisner and music by Katie Weston.
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Script notes with Guy Simon and Ngali Shaw
Guy Simon and Ngali Shaw discuss their script notes for the opening scene of Jacky by Declan Furber Gillick.
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Script Notes with Zindzi Okenyo and Shari Sebbens
Zindzi Okenyo and Shari Sebbens discuss their directorial script notes for Is God Is by Aleshea Harris.
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Script Notes with Oz Malik and Eleanor Barkla
Oz Malik and Eleanor Barkla discuss their script notes for I Wanna Be Yours by Zia Ahmed.
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Script Notes with Patricia Cornelius and Susie Dee
Playwright Patricia Cornelius and Director Susie Dee discuss their script notes for My Sister Jill.
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Script Notes with Kate Mulvany
Kate Mulvany discusses her script notes for the opening scene of Bernhardt/Hamlet by Theresa Rebeck.
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DIGITAL RESOURCES
Production roles
DIGITAL RESOURCES
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Theatre technologies
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Creating special effects
Learn about how theatre technologies help create special effects in A Very Jewish Christmas Carol.
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Fly System
Fly Supervisor James Tucker tells us the secrets of Southbank Theatre’s Power Fly System, and how lighting and scenery is flown into the 20-metre void above the Sumner stage.
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Revolves
A standard revolve is a round floor or turntable within the stage floor that spins around a central pivot point, driven by a motor and controlled by an automation operator.
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Traps and lifts
Beneath the Sumner stage is where lifts are constructed to propel actors upward through trapdoors. Explore what happens out of sight, and discover how an orchestra pit is lying dormant below the front rows of the theatre.
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Mixing Desk
During a performance, the front-of-house audio operator balances sound from the actors’ microphones and the music, creating an artificial equilibrium that feels absolutely natural.
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Behind the cues
Three designers from The Heartbreak Choir discuss their creative choices, cue by cue.
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Bump-in Time-lapse
Watch a time-lapse video of the bump-in for Berlin, Joanna Murray-Smith's NEXT STAGE commission, narrated by Production Manager Abe Watson.
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Lighting in the Sumner
Lighting Supervisor Richard Gorr explains how the various lighting positions and equipment at Southbank Theatre are used to create magic on stage.
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PDF RESOURCES
Education packs
Virtual tours
More virtual tours-
Melbourne Theatre Company HQ virtual tour
Walk the halls of our production headquarters in this virtual tour and explore where plays are rehearsed, sets are built and costumes are sewn.
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Southbank Theatre virtual tour
Explore backstage at Southbank Theatre in this virtual tour and discover how magic is created onstage in an Melbourne Theatre Company production.
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As You Like It Set Design Virtual Tour
Explore Alicia Clements's sprawling set design for Shakespeare's As You Like It in this virtual tour.
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SLAP. BANG. KISS. Set Design Virtual Tour
Explore Kate Davis's set design for SLAP. BANG. KISS. that can transform to evoke various locations for a wide variety of characters.
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The Heartbreak Choir Set Design Virtual Tour
Experience every detail up close of Christina Smith's hyper realistic set for The Heartbreak Choir.
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Sunday set design virtual tour
Explore Anna Cordingley's 'magic box of light' set design for Sunday.
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Berlin set design virtual tour
Explore Christina Smith’s set design for Berlin, Joanna Murray-Smith’s MTC NEXT STAGE commission, in this virtual tour.
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Laurinda Set Design virtual tour
Experience Eugyeene Teh's liminal set design for Laurinda onstage in this virtual tour.
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Cyrano set design virtual tour
Explore Elizabeth Gadsby's meta-theatrical set design for Cyrano.
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INTERACTIVE
Short courses
Interactive
VCE terminology
Browse resources
Melbourne Theatre Company would like to thank The Ian Potter Foundation, the Department of Education, Victoria, through the Strategic Partnerships Program and the Education Giving Circle for their generous support of the Education Hub.
