Interview
Gillian Cosgriff shares what it’s like working on the new musical Come Rain or Come Shine and how its deceptive simplicity really cuts to the core.
Interview
Tim Finn talks to us about why he found Kazuo Ishiguro’s short story irresistible and how being in the company of the Great American Songbook inspired his original songs for Come Rain or Come Shine.
Interview
As Costume Designer for Come Rain or Come Shine Sophie Woodward sets her sights on the iconic eras of the late 70s and early 80s. She talks to us about getting these just right, how her career took off and some of her favourite productions so far.
Interview
Before Shiv Palekar got the role of Christopher in The Sound Inside he wasn’t sure when his next job would be. He discusses how this uncertainty connected him to the play and the focus required to perform in this powerful two-hander.
Interview
We talk to Set Designer Elizabeth Gadsby about how she is bringing the interior world of The Sound Inside to the stage.
Interview
Danni A. Esposito, the Sound Designer for The Sound Inside, is obsessed with dissecting scripts. They talk to us about where the obsession began, their career journey so far and the aural world of The Sound Inside.
Interview
William McInnes chats to us about how his character Peter confronts change in The Heartbreak Choir and why he hopes audiences will see bits and pieces of themselves in this poignant, funny story.
Interview
Ratidzo Mambo is thrilled to be playing a Zimbabwean character in The Heartbreak Choir, but she almost didn’t accept the part. She tells us what got her over the line and how her character Aseni is driven by truth and authenticity.
Interview
Louise Siversen is the good-hearted, headstrong Totty in The Heartbreak Choir. We talk to her about what it’s like working on a new play and how Totty has inspired her to be more courageous.
Interview
The Heartbreak Choir's Musical Director, Vicky Jacobs, talks to us about how music and singing work within the play and how choirs have the power to bring us together.
Interview
William McKenna is making his MTC debut in Admissions. We talk to him about his journey so far and how he prepared for his role in this explosive and provocative play.
Interview
Kat Stewart is back at MTC in the biting, satirical comedy Admissions. She tells us why it’s a play she couldn’t ignore and why she’s drawn to complex, flawed characters.
Interview
A sharp-witted play requires an agile and fast-paced set. We talk to Set Designer Jacob Battista about how he achieved this for Admissions, where he found inspiration and why he hopes audiences are left questioning.
Interview
Congolese born multidisciplinary artist Gideon D. Wilonja talks to us about centring Black and queer voices on stage, and using his own experience to tell stories often overlooked by mainstream media.
Interview
Emerging First Nations theatre maker and performer Blayne Welsh tells us about his interest in developing new works that dive into questions about intergenerational trauma and intergenerational justice.