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Jennifer Sarah Dean discusses the lessons she's learnt as assistant director to Hannah Goodwin.
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It may be set in 1940s New Orleans, but as Anne-Louise Sarks explains, A Streetcar Named Desire is a production for our time.
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One of only a handful of fight directors in Australia, Lyndall Grant sheds light on the role, her involvement in The Almighty Sometimes and why 37 was one of her career highlights.
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Set & Costume Designer Jacob Battista gives us an insight into designing the world of The Almighty Sometimes.
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Set & Costume Designer Dale Ferguson and Director Isaac Drandic sat down to discuss designing the world of the Cutting Cove Currawongs.
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Artist Emma Salmon explains the meaning of her piece commissioned by us for the season of 37.
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Join us this International Women’s Day to celebrate just some of those who make Melbourne Theatre Company what it is: a cultural institution committed to making theatre for everyone.
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Learn about the traditional Aboriginal game that inspired AFL and hear from artists continuing its legacy.
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Find out why Playwright Zinnie Harris used Orpheus and Eurydice as inspiration for Meet Me at Dawn.
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Learn more about how we create pathways for Australia's next directors from the 2022 and 2023 participants.
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Costume Designer Dann Barber reveals his inspiration for A Very Jewish Christmas Carol and his process for delving into the world of characters.
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Learn how our talented team prepared an original FX Holden from 1953 for the stage.
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Amy Cater, one of the first qualified Intimacy Coordinators in Australia, breaks down the role for us while discussing her work on Jacky and Is God Is.
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Learn more about the key moments and circumstances the characters in My Sister Jill were living through in post-World War II Australia.
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Take a walk down memory lane with our interactive timeline as we look back at key moments in our rich and vibrant history.