My Brilliant Career

23 Jan — 28 Feb 2026

Southbank Theatre, The Sumner

★★★★★ The Age ★★★★★ The Guardian
★★★★★ Time Out ★★★★★ ABR

Back by popular demand! You better believe it, the smash-hit musical returns.

Approx. 2 hour and 30 minutes, including interval

Want the best price on 3+ plays? Subscribe and unlock exclusive benefits. Learn more.

Explore
This is rated 5 out of 5 stars

‘This show is the holy grail of Australian musical theatre.’

The Age
This is rated 5 out of 5 stars

‘Gare is a total powerhouse.’

The Guardian
This is rated 5 out of 5 stars

‘Brimming with abundant heart and soul.’

Time Out
This is rated 5 out of 5 stars

‘Magical.’

Australian Book Review
This is rated 4.5 out of 5 stars

‘Feisty and audacious.’

Limelight
This is rated 4 out of 5 stars

‘A Charli XCX rendition with the brat dialled up to the max.’

ArtsHub

ABOUT THE SHOW

My dear fellow Australians… You can’t keep a fierce woman down. Sybylla Melvyn is back, and she’s bolder than ever. 

Hailed as a ‘funny, feminist triumph’ (The Guardian) and earning multiple five-star reviews in its sold-out premiere season, the joyous My Brilliant Career returns for a limited encore run. 

Led once more by the formidable Kala Gare – and featuring much of the original cast of dynamic actor/musicians – this smash-hit musical earned critical acclaim and five Green Room Awards, including Outstanding Production.  

Set in the sweeping landscapes of 1890s Australia, the electric reimagining by Sheridan HarbridgeDean Bryant and Mathew Frank transforms Miles Franklin’s literary heroine into a singer-songwriter for this very moment. Unapologetically ambitious, Sybylla Melvyn is wholly uninterested in the future society expects of her. Instead, she marches to the beat of her own drum, challenging class, gender and family to find her own voice. 

With a powerhouse score blending contemporary pop, bush ballad and raucous pub rock; a breathtaking design from Tony Award-winner Marg Horwell; and the ‘dramatic focus and swift humour’ (The Age) of Artistic Director Anne-Louise Sarks’s vision, this exhilarating return is a must-see for all ages.


MTC Next Stage aa6oor
Developed by Monash University, Melbourne, as part of the Jeanne Pratt Artist in Residency program, which culminated in a development staging directed by Petra Kalive with dramaturgy by Anna Barnes. Further development funded by City of Stonnington and Melbourne Theatre Company’s NEXT STAGE Writers’ Program.

Paul and Wendy Bonnici & Family, Tony and Janine Burgess, Kathleen Canfell, Fitzpatrick Sykes Family Foundation, Jane Hansen AO and Paul Little AO, Larry Kamener and Petra Kamener, The Margaret Lawrence Bequest, Helen Nicolay, Tania Seary and Chris Lynch, Craig Semple, Dr Richard Simmie
Vizard Foundation Logo grey dgzo2w

Accessibility

  • Wheelchair Accessible

  • Hearing Assistance

  • Relaxed Performance

  • Audio Described

  • Tactile Tour

  • Open Captioning

  • Closed Captioning

  • Auslan Interpreted

Performance Type Performance Date(s)
Tactile Tour
at venue
Saturday 14 February at 2pm (Tactile tour commences at 1pm)
Audio Described
by Vision Australia
Saturday 14 February at 2pm
Tuesday 17 February at 6.30pm
Closed Captioning
via GoTheatrical App
Saturday 21 February at 2pm
Open Captioning
via screen
Saturday 21 February at 2pm
Auslan Interpreted Tuesday 24 February at 6.30pm
Relaxed Performance Wednesday 4 February at 2pm - Visual Story
Artwork for Cameron Bajraktarevic-Hayward

Cameron Bajraktarevic-Hayward

Frank / Ensemble

Cameron Bajraktarevic-Hayward (he/they) is a Sydney (Gadigal) based performer returning to Melbourne Theatre Company following the 2024 premiere season of My Brilliant Career. After graduating from The Victorian College of the Arts in 2022, Cameron has had the pleasure of being a part of A Christmas Carol (GWB Entertainment) 2022 & 2023; Natasha, Pierre and the Great Comet of 1812 (Darlinghurst Theatre Company); The Grinning Man (Salty Theatre); Little Women (Joshua Robson Productions); Ghost Quartet (Antipodes Theatre), and most recently Bright Star (Hayes Theatre Co/Sport for Jove). Cameron is a proud MEAA member.

Current as of January 2026.

Artwork for Melanie Bird

Melanie Bird

Gertie / Blanche / Ensemble (understudy Sybylla)

Melanie Bird is a Melbourne-based performer, most recently appearing as Deb in Ordinary Days (Clovelly Fox Productions) and in the Australian touring production of Sister Act: The Musical (Crossroads Live). Her other theatre credits include Paquette in Candide (Victorian Opera); Jess in A Christmas Carol (GWB/The Old Vic); Tiffany in Midnight (Aspect Entertainment); Anne Egerman in A Little Night Music, Nellie/Lucy cover in Jekyll and Hyde (Hayes Theatre Co); Natalie Goodman in Next to Normal (James Terry Collective); and Princess Josiana in The Grinning Man (Salty Theatre) which garnered her a Green Room Award nomination for Outstanding Artist in a Supporting Role. She has also been a part of many new Australian work developments including Bananaland (Brisbane Festival); Paper Stars (Salty Theatre); and Bearded (Australian Music Theatre Festival). Melanie is thrilled to be returning to My Brilliant Career after featuring on the original cast recording.

Current as of January 2026.

Artwork for Lincoln Elliott

Lincoln Elliott

Jimmy / Horace / Ensemble

Lincoln is a Wiradjuri performer, instrumentalist, writer, composer, and researcher. He is a graduate of NIDA, is undertaking a PhD at the University of New England and looks forward to presenting his debut musical Artefact (or, Repatriation: The Musical) in 2026. His theatre credits include My Brilliant Career (Melbourne Theatre Company, Green Room Award); Sunshine Super Girl (Melbourne Theatre Company/STCSA/Performing Lines); Chimerica (Sydney Theatre Company); Ride the Cyclone, Phar LapBeing Alive (Hayes Theatre Co); The Dismissal, On a Clear Day You Can See Forever (Squabbalogic); Picnic at Hanging Rock (KGM Theatricals/Joe’s Pub NYC); The Hello Girls (Hayes Theatre Co/Heartstrings); If/Then (Hayes Theatre Co/Neglected Musicals); Misery Loves Company (Legit Theatre Co.); La Traviata (Opera Australia); 3 Weeks in Spring (Endymion); Ugly Love (Acoustic Theatre); Ordinary Days (Alter Ego); Meet Me in St. Louis (Starkeeper); Ned (Plush Duck); Company (Limelight); Inner West Side: The Musical (UltraCult) and Carrie: The Musical (Rock Bottom).

Current as of January 2026.

Artwork for Victoria Falconer

Victoria Falconer

Ensemble

Victoria Falconer (she/her) is an award-winning theatre maker, multi-instrumentalist and cabaret artist of Filipino-English heritage. She is co-Artistic Director of Hayes Theatre Co with Richard Carroll, and the 2024 recipient of the Asian-Australian Arts & Culture Leadership Award. Recent music direction includes Hedwig & The Angry Inch (GWB); Ride The Cyclone (Hayes); In The Heights (JRP/Sydney Opera House); M’ap Boulé (Performing Lines); Oklahoma! (Black Swan). Other 2025 credits include music supervisor on Bright Star (Sport For Jove); rehearsal associate for The Shiralee (Sydney Theatre Company) and playing Susan/Adelaide Adams in Calamity Jane (Sydney Opera House). Projects as writer/performer include Smashed: The Nightcap (Sydney Festival & Auckland Festival); The Sight (Dark Mofo) and The Vali Myers Project (Adelaide Cabaret Festival). She is currently developing House of Rot: Grey Gardens for a national tour. Accolades include two Best Cabaret Awards (Adelaide Fringe), two Green Room Awards and multiple Sydney Theatre Award nominations for musical direction.

Current as of January 2026.

Artwork for Kala Gare

Kala Gare

Sybylla Melvyn

Kala Gare returns to the stage as Sybylla Melvyn following her renowned performance in the Melbourne Theatre Company production of My Brilliant Career in 2024. Kala’s other theatre credits include Calamity Jane (One-Eyed Man Productions); Being Alive: The Music Of Stephen SondheimMurder for Two: Christmas Edition (Hayes Theatre Co); Masterclass (AKA Productions); Rent (James Terry Collective); Twelfth Night (Melbourne Shakespeare Company); Bright Star (Pursued By Bear); original Australian cast of SIX (Louise Withers, Michael Coppel and Linda Bewick); Natasha, Pierre & the Great Comet of 1812 (Darlinghurst Theatre Company). Graduating from the Victorian College of the Arts in 2017, Kala most recently studied at The Atlantic Acting School in New York. Kala is also a singer/songwriter and has performed solo shows of her original work to sell out audiences around Australia. Her music is available to stream on Spotify.

Current as of January 2026.

Artwork for Raj Labade

Raj Labade

Harry / Peter / Ensemble

The 2024 production of My Brilliant Career was Raj Labade’s Melbourne Theatre Company debut and earned him a Green Room Award nomination for Best Supporting Actor in a Musical. His other theatre credits include The Talented Mr Ripley (Sydney Theatre Company); Dictionary of Lost Words (Sydney Theatre Company/State Theatre Company South Australia); King Lear, Never Closer and Tell Me I’m Here (Belvoir St Theatre); Sex Magick (Griffin Theatre); Mary Stuart (Performing Lines). Raj's screen credits include The Office: Australia (Amazon Prime), Appetite (SBS) and the feature film Back of the Net (Netflix). Raj is a graduate of the Western Australian Academy of Performing Arts (WAAPA), where he received the 2020 Speech and Drama Teachers Association Poetry Prize, the 2021 Vice Chancellor’s Shakespeare Award of Best Production for his performance in Hamlet and the Leslie Anderson Award for Best Graduating Actor. In 2023, Raj was named one of the Casting Guild of Australia’s Rising Stars. 

Current as of January 2026.

Artwork for Drew Livingston

Drew Livingston

Father / Jay-Jay / M'Swat / Ensemble

Since graduating from WAAPA in 2010 in Acting, Drew has achieved an extensive list of theatre credits throughout his career, including performing in multiple productions with the critically acclaimed Sport for Jove Theatre Company. Most recently, Drew performed in the world premiere of Zombie! The Musical. He also starred in the Australian production of Mamma Mia! in 2023, playing the role of Harry. Selected theatre credits include: Bank Manager in Once (Darlinghurst Theatre Company), Rick Simpkins in The Deb (ATYP); Tony in the 10th anniversary production of Billy Elliot (Louise Withers and Associates); War Horse (Global Creatures & National Theatre); Taking Steps, Good People (Ensemble Theatre), Bell Shakespeare’s Henry V (for which he also composed the music, earning him a Sydney Theatre Award and Green Room nomination); Under Milk Wood (Sydney Theatre Company). Drew is an accomplished musician and composer and has been a proud MEAA member since 2010.

Current as of January 2026.

Artwork for Ana Mitsikas

Ana Mitsikas

Grannie / Rose Jane / Ensemble

Ana began her professional career in musical theatre and has appeared in shows such as Charlie and the Chocolate Factory (GFO/Crossroads Live); Nine (StageArt); Merrily We Roll Along (Watch This); The Sound of Music (GFO/SEL) and The Buddy Holly Story (Everyday Productions). On screen Ana played the title role in the award-winning short film Miriam. Other screen credits include Neighbours, Newton’s Law, Pig’s Breakfast, Good Morning Australia, Family Affairs and feature film Undertow. Musical Director credits include Ladies in Black (Federation Uni); Menopause the Musical (HIT & SK Entertainment); Motormouth Loves Suckface (Anthony Crowley); Mrs Prime Minister (Melbourne Cabaret Festival) and workshops of I Can Jump Puddles (Antipodes). Ana loved being a part of the workshops and premiere season of My Brilliant Career for Melbourne Theatre Company and is excited to bring it back in 2026. Ana is the co-founder and Artistic Director of children’s performing arts school Stage Left.  

Current as of January 2026.

Christina O’Neill

Christina O'Neill

Mother / Helen / Mrs M’Swat / Ensemble

A Helpmann Award winner, Christina has built a distinguished stage and screen career. This production marks her third new Australian musical with Melbourne Theatre Company, and she is proud to be returning to the role. Previous theatre credits include Bloom (Sydney Theatre Company); Vivid White (Melbourne Theatre Company); Hour of the Wolf (Malthouse Theatre); Girl from the North Country (GWB Entertainment); Calamity Jane (One Eyed Man Productions); Avenue Q (Arts Asia Pacific); Show Boat (The Production Company); Into the WoodsSunday in the Park with George (Victorian Opera); Spamalot (Louise Withers and Associates); Priscilla, Queen of the Desert: The Musical (Back Row Productions). She is an ensemble member of Red Stitch Actors’ Theatre and has played leading roles in What’s YoursControlRight NowThe RiverMiddletownBellevilleStraight, and The Motherfcker with the Hat*. Her screen appearances include NeighboursRelicMr Black and Winners and Losers.

Current as of January 2026.

Artwork for Jarrad Payne

Jarrad Payne

Ensemble

Jarrad is a multi-instrumentalist and audio engineer from Adelaide. He graduated from The Elder Conservatorium of Music in 2005, specialising in jazz drumming. His recent performance credits include In The Heights (musician, Sydney Opera House/Joshua Robson Productions 2024); Little Women (sound designer, Joshua Robson Productions 2024); Ride the Cyclone (musician, Hayes Theatre Co 2024); Smashed: The Nightcap (musician and bandleader, Sydney Festival 2024); The Sight (composer and performer, Dark Mofo 2023); Gentlemen Prefer Blondes (musician, Hayes Theatre Co 2023); Godspell (musician and sound designer, Hayes Theatre Co 2022); And Then You Go - the Vali Myers Project (composer and performer, Adelaide Cabaret Festival 2022); Pleasure Seekers (music director and track producer, Soho Theatre 2022); and Lizzie (sound designer, Sydney Festival 2022). 

Current as of October 2024.

Artwork for Jack Green

Jack Green

Understudy

Jack Green returns to Melbourne Theatre Company following his debut in Simon Phillips’ As You Like It in 2021. Other theatre credits include Bright Star (Sport For Jove/Hayes Theatre Co); Hour of the Wolf (Malthouse Theatre); The Wind in the Willows, The Crucible, and Much Ado About Nothing (Australian Shakespeare Company). He composed an original score for The Crucible and created his own musical adaptations of children’s fairy tales Rumpelstiltskin, and Puss in Boots (String Dog Productions). On TV Jack has appeared in Neighbours (Fremantle Media); Metro Sexual (Hum Drum Comedy); and in film, Emo The Musical (Matthewswood Productions). Jack is an alumnus of the MTC Ambassadors Program run by the Education & Families department.

Current as of January 2026.

Artwork for Meg McKibbin

Meg McKibbin

Understudy

Hailing from Perth, Meg graduated from the Western Australian Academy of Performing Arts (WAAPA) Music Theatre program in 2017. During her time at WAAPA, she featured as Abigail Williams in The Crucible and Heather Duke in Heathers: the Musical. Since graduating, Meg has appeared in several productions with the Australian Shakespeare Company, including A Midsummer Night’s Dream, Much Ado About Nothing, The Wind in the Willows and The Crucible. Other works include Viola in Twelfth Night (Melbourne Shakespeare Company); Joan in Toby (La Mama) and touring ensemble The Players (Bell Shakespeare). She also appeared in the TV series Gold Diggers (ABC & CBS) and voiced several audiobook titles for Bolinda. Her starring role in the short-film Gaslight earned her the Best Actress Award at the 2020 Northern Frights Film Festival. Meg is proudly represented by Ian White Management.

Current as of January 2026.

Artwork for Sheridan Harbridge

Sheridan Harbridge

Book

Sheridan Harbridge is an award-winning actor, writer and director, graduating from NIDA in 2006. Her first musical Songs for the Fallen won multiple awards including Best Musical at the New York Music Theatre Festival. In 2022 she directed 44 Sex Acts in One Week for Sydney Festival, and the new Australian musical Dubbo Championship Wrestling for the Hayes Theatre Co, earning a Best Director nomination at the Sydney Theatre Awards. As a member of the Griffin Studio 2016, she developed and directed Nosferatutu. Sheridan most recently directed the acclaimed new musical Phar Lap: The Electro-Swing Musical at Hayes Theatre Co. For Melbourne Theatre Company she has appeared in Meet Me at DawnPrima FacieThe BeastThe SpeechmakerNorth by Northwest.  Recent TV credits include The Twelve (Foxtel) and The Messenger (ABC). She won Best Actress at the Sydney Theatre Awards for her performances in Prima Facie and A Streetcar Named Desire

Current as of January 2026.

Dean Bryant

Dean Bryant

Book and Lyrics

Dean is an award-winning writer and director and is the current Artistic Director/co-CEO of Malthouse Theatre. He is a former Associate Director of Melbourne Theatre Company where he directed Bloom, Fun Home, Torch the PlaceKiss of the Spider WomanLady in the VanAn Ideal HusbandWildVivid WhiteBorn YesterdaySkylightI’ll Eat You Last and Next to Normal. Bloom and Fun Home also had seasons at Sydney Theatre Company. Other recent credits as director include Tivoli Lovely (WAAPA); Circle Mirror Transformation, Hubris & Humiliation (STC); Candide (Opera Australia/Victorian Opera); Dear Evan Hansen (STC/MCG); La Boheme (OA); A Little Night Music (Hayes Theatre Co); Giustino (Pinchgut) and The Normal Heart (STCSA). Writing credits with composing partner Mathew Frank include Prodigal, Once We Lived Here, Virgins: A Musical ThreesomeThe Silver Donkey and songs for Mr & Mrs Murder. Dean created verbatim theatre plays Gaybies and Well…that Happened. Cabaret work includes Christie Whelan-Browne vehicles Show People and Britney Spears: The Cabaret and he wrote and directed the short film Rhyme Time. He has received 5 Green Room awards, 3 Sydney Theatre Awards and a Helpmann for his direction of the inaugural Hayes Theatre Co production, Sweet Charity.

Current as of January 2026.

Mathew-Frank-WEB.jpg

Mathew Frank

Music

Mathew is an award-winning composer, sound designer and music director who has worked on numerous Melbourne Theatre Company productions including Fun HomeLady in the VanAn Ideal HusbandSkylightPrivate LivesThe Drowsy Chaperone, Next to NormalWell…That Happened and for Sydney Theatre Company, Hubris & Humiliation. He met partner Dean Bryant at WAAPA and their first musical, Prodigal, won a Green Room award and was produced off-Broadway. They followed this with Once We Lived Here (Green Room award), Virgins: A Musical ThreesomeThe Silver Donkey and the songs for Mr & Mrs Murder. He composed the score for short Rhyme Time and created Christie Whelan-Browne vehicles Show People and Britney Spears: The Cabaret. Other credits as music director include A Funny Thing Happened on the Way to the Forum (Gordon Frost Organisation); Jerry’s GirlsLa Cage Aux Folles and Pirates of Penzance (The Production Company). The 2024 season of My Brilliant Career won five Green Room Awards including Outstanding New Australian Music Theatre Writing.

Current as of January 2026.

Artwork for Anne-Louise Sarks

Anne-Louise Sarks

Director

Anne-Louise Sarks is Chief Executive Officer and Artistic Director of Melbourne Theatre Company, where her credits include adapting and directing Rebecca, and directing The Removalists, A Streetcar Named Desire, Escaped Alone and What If If Only and Bernhardt/Hamlet. Previous work with the Company includes Minnie & Liraz and The Seed. An internationally acclaimed director, writer and dramaturg, Anne-Louise’s work has been seen in Melbourne, Sydney, London, Helsinki, Mexico City, New York, Warsaw, Dublin, Auckland, Mumbai, Perth and Basel. Recent productions include Avalanche (Barbican); Our TownMedea (Theater Basel); Stop Girl (Belvoir). Her production of Blasted at Malthouse Theatre was nominated for four Green Room Awards. Medea, co-written with Kate Mulvany, won five Sydney Theatre Awards including Best Direction. It was also awarded an AWGIE for Best Stage Play. Anne-Louise was previously Artistic Director of the Lyric Ensemble at the Lyric Hammersmith in London and of Melbourne independent theatre company The Hayloft Project. She has been Resident Director at Belvoir, Director in Residence at Malthouse Theatre, and in 2010 she was Emerging Resident Director at Melbourne Theatre Company. 

Current as of January 2026.

Artwork for Victoria Falconer

Victoria Falconer

Musical Director / Additional Music Arrangements

Victoria Falconer (she/her) is a multidisciplinary creative, performer and mentor of Filipina-English heritage. She is co-Artistic Director of Hayes Theatre Co in Sydney alongside Richard Carroll. Recent commissioned works include Smashed: The Nightcap (Sydney Festival 2024); The Sight (Dark Mofo 2023); The Vali Myers Project (Adelaide Cabaret Festival, 2022 Frank Ford Award winner). As a cabaret artist, Victoria has performed on stages including Soho Theatre, Southbank Centre London, Club Cumming NYC and Glastonbury. She has also hosted at Victoria’s Pride, Sydney WorldPride and Bi Pride UK. Her recent work as a musical director includes In The Heights (Sydney Opera House); Ride The Cyclone (Hayes) and Once (Darlinghurst Theatre). Victoria has received two Adelaide Fringe Best Cabaret Awards, two Green Room Awards and two Sydney Theatre Award nominations. In 2024 she was named among the 40 Under 40 Influential Asian-Australians in Arts and Culture.

Current as of October 2024.

Artwork for Amy Campbell

Amy Campbell

Choreographer

Amy Campbell (she/her) is one of Australia’s most accomplished creative talents with an award-winning career spanning all areas of the entertainment industry. Amy made her directorial debut with A Chorus Line (Darlinghurst Theatre Co and Sydney Opera House). She also created, choreographed and directed the original show LEAP and The Wizard of Oz – in concert (Prospero Arts). Most recently Amy directed Smashed The Nightcap for the Sydney Festival. Amy’s extensive list of choreographic credits include Once (Darlinghurst Theatre Co); In The Heights (Blue Saint Productions/JR Productions); the Australian premiere of Violet, the national tour of HAIR (Sydney Opera House and Peace Productions); Spring Awakening (ATYP); Little Women (JR Productions); Oklahoma (The Production Company); Velvet Rewired Australian Tour and Velvet Hamburg (Collien Konzert & Theatre GmbH). Amy was also the Choreographer/Movement Director for The Sydney Symphony Orchestra’s productions of Funny GirlPorgy and Bess and co-directed Candide (State Theatre Company South Australia and State Opera South Australia). 

Current as of October 2024.

Marg-Horwell.jpg

Marg Horwell

Set & Costume Designer

Marg Horwell is a multi-award-winning set and costume designer. Previous credits with Melbourne Theatre Company include My Sister Jill, Escaped Alone and What If If Only, Bernhardt/Hamlet, Girls & BoysThe Truth, The House of Bernarda Alba, Lilith: The Jungle Girl, Birdland, I Call My Brothers and Peddling among others. Other credits include The Confessions (Alexander Zeldin Company/The National Theatre);  Dracula, The Picture of Dorian Gray (STC/Michael Cassel Group); Strange Case of Dr Jekyll and Mr Hyde, How to Rule the World, Lord of the Flies, The Resistible Rise of Arturo Ui (Sydney Theatre Company); Because The NightBlastedMelancholia, Caravan, The Testament of Mary, The Real and Imagined History of The Elephant Man, Edward II, I Am a Miracle and The Good Person of Szechuan (Malthouse Theatre); The Confessions (Alexander Zeldin Company); The Marriage of Figaro, The Sopranos, The Human Voice & The Call (Opera Queensland); Lorelei (Opera Queensland/Victorian Opera); Die Tote Stadt (Oper Am Rhein, Dusseldorf); Salome (English National Opera); Avalanche (The Barbican). Marg has won numerous awards, including the 2023 Oliver Award for Best Costume Design for the West End tour of The Picture of Dorian Gray.

Current as of October 2024.

Matt Scott

Matt Scott

Lighting Designer

Matt Scott has designed the lighting for over sixty Melbourne Theatre Company productions, including most recently Kimberly Akimbo (with State Theatre Company of South Australia), My Brilliant Career, Jacky (with Belvoir St Theatre and Sydney Festival), The Heartbreak ChoirKiss of the Spider WomanShakespeare in LoveStorm BoyThe Architect and Fun Home (with Sydney Theatre Company). Other recent credits include Dear Evan Hansen (Sydney Theatre Company/Michael Cassel Group); Candide (Opera Australia/Victorian Opera); Medea and Drizzle Boy (Queensland Theatre); Who’s Afraid of Virginia Woolf? (Sydney Theatre Company/Red Stitch Actors’ Theatre/GWB Entertainment); The Who’s Tommy and Parsifal (Victorian Opera). With over 30 years’ experience, Matt has designed more than 350 productions for theatre, opera, dance and musical theatre across Australia and internationally, including the US, UK, Europe, New Zealand and Japan. Matt has received two Helpmann Awards, two Green Room Awards and a Sydney Theatre Award. He is currently a Lecturer in Production (Lighting Design) at the University of Melbourne (Victorian College of the Arts).

Current as of January 2026.

James Simpson

James Simpson

Orchestrator / Vocal Arranger

James has worked around Australia and internationally as a musical director, arranger and orchestrator. Previously for Melbourne Theatre Company he was the musical director and orchestrator for Vivid White. Other credits include the Australian tours of Chicago (musical director); 9 to 5 (musical director); Moulin Rouge! (associate musical director); Disney’s Aladdin (associate musical director) and Disney’s The Lion King (assistant musical director). He was the orchestrator for Dean Bryant and Mathew Frank’s Virgins: A Musical Threesome (Echelon Productions – Malthouse Theatre, New York Musical Theatre Festival, Regional Arts Victoria tour). Whilst based in the UK, he was the musical director for the world premiere of Thérèse Raquin (Park Theatre), as well as contributing additional orchestrations and vocal arrangements. James graduated with Distinction from the Masters of Musical Theatre (Musical Directing) programme at the Royal Conservatoire of Scotland, Glasgow.

Current as of October 2024.

Artwork for Joy Weng

Joy Weng

Sound Designer

Joy is the sound supervisor at the Southbank Theatre and has worked on over 70 productions for Melbourne Theatre Company over the past ten years.  For the company, she has mix engineered and supervised musical productions such Bloom, Fun Home, Come Rain or Come Shine, Kiss of the Spider Woman, Twelfth Night, As You Like It and Vivid White.  She co-sound designed Bananaland by Kate Miller-Heidke and Keir Nuttall (Brisbane Festival). Other mix engineer credits include The Lion King, Mary Poppins (Disney); Phantom of the Opera, Cats (Really Useful Company); Rock of Ages (Newtheatricals); Legally Blonde (GFO); Avenue Q Australian Tour (Arts Asia Pacific) and American Idiot Tour (Shake and Stir).

Current as of January 2026.

Artwork for Miranda Middleton

Miranda Middleton

Associate Director

Miranda Middleton is an award-winning director with a Master of Fine Arts (Directing) from the National Institute of Dramatic Arts (NIDA). A 2022 MinterEllison Future Director at Melbourne Theatre Company, she has also been Assistant Director on Come Rain or Come Shine. In 2024, Miranda was a recipient of the Sandra Bates Director’s Award at the Ensemble Theatre and nominated for a Green Room Award for Outstanding Direction of an Independent Musical for The Grinning Man. Miranda’s most recent directing credits include: Bright Star (Sport for Jove Theatre Company); Into the Woods (Elder Conservatorium of Music); In Her Own Words(Sydney Festival); The Grinning Man (VASS Productions/Salty Theatre); The Eisteddfod (Old Fitz Theatre). Other Assistant Director credits include: Candide (Opera Australia); The Lovers (Bell Shakespeare); Master Class, The Queen’s Nanny (Ensemble Theatre); Little Women (Josh Robson Productions). Miranda has two new musicals in development: Paper Stars and Silver Tongue. 

Current as of January 2026.

Artwork for Savanna Wegman

Savanna Wegman

Associate Set & Costume Designer

Savanna Wegman is a set and costume designer and writer of Chinese Malaysian and Dutch descent, based on unceded Wurundjeri land in Naarm/Melbourne. She is a part of Melbourne Theatre Company’s Future Creatives program and is Assistant Designer to Marg Horwell on My Brilliant Career (Melbourne Theatre Company). Recent design credits include Katya Kabanova (Victorian Opera); Pride and Prejudice (The Bloomshed); Converted! (Australian Theatre for Young People, Sydney Festival); The Last Train to Madeline, Climbers, Brittany and The Mannequins (Fever103 Theatre); Biographica (Lyric Opera); and STAUNCH ASF (Amelia Jean O’Leary). Savanna has also been Associate Designer for Dann Barber on productions Candide (Victorian Opera); Far Away (Patalog Theatre); The Crocodile (Spinning Plates Co.); The Dream Laboratory (Essential Theatre) and The Mermaid. Her designs for The Last Train to Madeline, Biographica, and Brittany and the Mannequins have earned her three Green Room Award nominations.

Current as of January 2026.

Artwork for Drew Livingston

Drew Livingston

Assistant Musical Director

Matt Furlani

Matt Furlani

Voice & Text Coach

Artwork for Whitney McNamara

Whitney McNamara

Stage Manager

Artwork for Tom O'Sullivan

Tom O'Sullivan

Deputy Stage Manager

Artwork for Mercedes Gowlett

Mercedes Gowlett

Assistant Stage Manager

Latest from Backstage

The Sumner

140 Southbank Boulevard

Southbank, Victoria 3006