The Hypocrite

A new version of Molière's Tartuffe by Justin Fleming

8 November — 13 December 2008

Arts Centre Melbourne, Playhouse

This is Molière at his most diabolically funny. He’s taking the Lord’s name and making a fortune out of it!

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About the show

There’s no better racket than the religion racket and no one knows that racket like Tartuffe. Almost everyone can see what a sanctimonious hypocrite he is, but that doesn’t matter. He only needs a couple of rich and influential suckers who will fall for his holier-than-thou routine and, in old Madame Pernelle and her foolish son Orgon, he’s found them. String them along for long enough and they’ll give him anything he wants: money, power, even the hand of Orgon’s daughter in marriage.

Every time it’s revived, Molière’s 1664 play Tartuffe strikes audiences with its contemporary relevance, probably because the religious hucksterism and bigotry it satirises is always with us. This is Molière at his most diabolically funny.

Artwork for Nicholas Bell

Nicholas Bell

Artwork for Sara Gleeson

Sara Gleeson

Artwork for Kim Gyngell

Kim Gyngell

Artwork for Bert LaBonté

Bert LaBonté

Artwork for Garry McDonald

Garry McDonald

Artwork for Mandy McElhinney

Mandy McElhinney

Artwork for Marina Prior

Marina Prior

Artwork for Chris Ryan

Chris Ryan

Artwork for Martin Sharpe

Martin Sharpe

Artwork for Kerry Walker

Kerry Walker

Artwork for James Wardlaw

James Wardlaw

Artwork for Ashley Zukerman

Ashley Zukerman

Artwork for Peter Evans

Peter Evans

Director

Artwork for Stephen Curtis

Stephen Curtis

Set & Costume Designer

Artwork for Matt Scott

Matt Scott

Lighting Designer

Artwork for Ian McDonald

Ian McDonald

Composer