Features
Danni A. Esposito, the Sound Designer for The Sound Inside, is obsessed with dissecting scripts. They talk to us about where the obsession began, their career journey so far and the aural world of The Sound Inside.
Features
William McInnes chats to us about how his character Peter confronts change in The Heartbreak Choir and why he hopes audiences will see bits and pieces of themselves in this poignant, funny story.
Features
Ratidzo Mambo is thrilled to be playing a Zimbabwean character in The Heartbreak Choir, but she almost didn’t accept the part. She tells us what got her over the line and how her character Aseni is driven by truth and authenticity.
Features
The Heartbreak Choir's Musical Director, Vicky Jacobs, talks to us about how music and singing work within the play and how choirs have the power to bring us together.
Features
William McKenna is making his MTC debut in Admissions. We talk to him about his journey so far and how he prepared for his role in this explosive and provocative play.
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Kat Stewart is back at MTC in the biting, satirical comedy Admissions. She tells us why it’s a play she couldn’t ignore and why she’s drawn to complex, flawed characters.
Features
Sydney-based performer Emily Havea has tallied an impressive list of credits to her name – including being Australia’s first female person of colour to play Curly McClain in Oklahoma! She talks to us about her career to date and her MTC debut in Fun Home.
Features
We talk to Lucy Maunder and Ursula Searle, who both star in Fun Home as lead character Alison, but in different stages of her life.
Features
How do you create a mountain without actually building a mountain? Set designer Andrew Bailey tells us how he faced this challenge for Touching the Void – an epic tale of survival, endurance and adventure in the Peruvian Andes.