Q&A
Playwright Andrea Fernandez tells us how her Spotify Playlists automatically transport her to the scenes she is writing.
Q&A
Playwright Emily Sheehan discusses the value of her writing community ahead of Cybec Electric 2020.
Q&A
Playwright Merlynn Tong tells us why she's excited to participate in Cybec Electric.
Q&A
Costume designer Kat Chan discusses heightened naturalism, Princess Diana’s maternity dresses, wigs and more.
Q&A
Toby Truslove talks about the difference between acting on stage and on screen, the joy of playing a man in love, and eating cake eight times a week.
Q&A
Currently working on Torch the Place, composer and sound designer Clemence Williams reveals how she uses sound to transport audiences through time and place.
Q&A
Amelia Lever-Davidson sheds light on the task of illuminating Torch the Place.
Q&A
Torch the Place director Dean Bryant discusses the world premiere of a production overflowing with ideas.
Q&A
As Laura Wade’s award-winning play begins its Australian premiere season, we caught up with actor Nikki Shiels to find out what it has to say about indulging your dreams, living a fantasy, nostalgia and the modern condition.
Q&A
Benjamin Law shares his fears and excitements about joining the fold of a theatre company he has long admired.
Q&A
Yuchen Wang plays The Translator in Golden Shield, which is a role he carries around in his regular life as a bilingual artist living in an English-speaking country.
Q&A
Lighting designer Matt Scott helps sculpt a visual language for Shakespeare in Love.
Q&A
Meet MTC’s Storm Boy, Conor Lowe, who makes his professional debut playing the title character in Tom Holloway’s stage adaptation of Colin Thiele’s much-loved novel.
Q&A
Composer and Sound Designer Darrin Verhagen tells us about the sonic world of Storm Boy.
Q&A
Lighting designer Matt Scott explains the concepts and process for his work on Storm Boy.