Q&A
Director Simon Phillips discusses the specifics of Shakespearean comedy, mistaken identity and witty wordplay in As You Like It.
Q&A
Lighting Designer Nick Schlieper discusses shadow, colour and light in his work on As You Like It.
Q&A
Designer Jo Briscoe discusses how costumes communicate character, and practical considerations in costume design.
Q&A
Tuuli Narkle discusses Finnish reindeer herders, the importance of representation to a queer, mixed race teen, and her whirlwind lesson on an Australian icon.
Q&A
As a Melburnian who admits to not liking coffee, Stephen Curry happily runs the risk of inciting a revolt. But as the brother of a Commonwealth Games gold medallist, he’s not worried.
Q&A
Tony- and Oscar-winning playwright and screenwriter Sir Christopher Hampton has provided all of the English-language translations for lauded French playwright Florian Zeller. He spoke with MTC ahead of our season of The Truth.
Q&A
As Alice in Florian Zeller’s hit comedy, Katrina Milosevic is trapped in a lie but wants to come clean. In real life, Milosevic wants to do the same about the little white lies we all tell each other every day.
Q&A
Michala Banas spills the beans on how she got her gig on McLeod’s Daughters and why you should always do the things that scare you most.
Q&A
As Paul in Florian Zeller’s hit comedy, Bert LaBonté is possibly playing a little fast and loose with the truth but here he fesses up to the biggest lie he ever told.
Q&A
Set Designer Christina Smith talks with MTC about exploding houses, researching like a spider, the sandwich of history – and how this all informed her design for the Berlin set.
Q&A
Composer and Sound Designer Kelly Ryall discusses the sonic world he has created for Berlin.
Q&A
Lighting Designer Niklas Pajanti discusses his approach to lighting Berlin.
Q&A
Theatre can be a way of time travelling, says director Iain Sinclair, whose approach to new works is to treat them as classics.
Q&A
Pretending to be somebody else is both a profession and a hobby for Grace Cummings.
Q&A
MTC Associate Director Petra Kalive chats to actor Izabella Yena about character relations, upending a common trope, and perspectives in a pre and post #MeToo world.