Q&A
Petra Kalive talks about collaboration, comedy and character as she discusses her approach to directing Laurinda.
Q&A
Laurinda Movement Director, Xanthe Beesley, discusses how movement exercises help build ensemble and support character development.
Interview
Louise Siversen is the good-hearted, headstrong Totty in The Heartbreak Choir. We talk to her about what it’s like working on a new play and how Totty has inspired her to be more courageous.
Q&A
We chat to actor Tsungirai Wachenuka during rehearsals for SLAP. BANG. KISS.
Q&A
We chat to actor Sarah Fitzgerald during rehearsals for SLAP. BANG. KISS.
Q&A
Actor Conor Leach provides insight into his character and discusses how he's exploring contrast in rehearsals for SLAP. BANG. KISS.
Q&A
Composer and Sound Designer Ian Moorhead discusses the key elements in his design for SLAP. BANG. KISS.
Q&A
Lighting Designer Amelia Lever-Davidson discusses how she uses a range of fixtures to create many different worlds for SLAP. BANG. KISS.
Q&A
Playwright Dan Giovannoni discusses the origins and evolution of his gripping new work.
Q&A
Set & Costume Designer Kate Davis discusses symbolism, function and aesthetics in her designs for SLAP. BANG. KISS.
Q&A
Director Katy Maudlin discusses motifs, rhythm and space in SLAP. BANG. KISS. as rehearsals commence.
Q&A
Set and Costume Designer Alicia Clements explores the process of creating the magical world of As You Like It on stage.
Q&A
Director Simon Phillips discusses the specifics of Shakespearean comedy, mistaken identity and witty wordplay in As You Like It.
Q&A
Lighting Designer Nick Schlieper discusses shadow, colour and light in his work on As You Like It.
Q&A
Designer Jo Briscoe discusses how costumes communicate character, and practical considerations in costume design.