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Performers, like athletes, have unique physical health requirements to ensure they stay at the top of their game – even the costumes they wear can have physical consequences! That’s where expert physiotherapists come in.
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Explore the busy backstage schedule of a Stage Manager before, during and after a Friday night performance at Southbank Theatre.
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Fly Supervisor James Tucker tells us the secrets of Southbank Theatre’s Power Fly System, and how lighting and scenery is flown into the 20-metre void above the Sumner stage.
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The green room is a common feature in theatres and show spaces (so much so it’s even lent its name to Melbourne’s Green Room Awards). This room for artists to relax in when not performing dates back centuries. But often they’re not even green…
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Lighting Supervisor Richard Gorr explains how the various lighting positions and equipment at Southbank Theatre are used to create magic on stage.
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In the days before performances begin, it’s a flurry of activity backstage at Southbank Theatre. Learn more about who is doing what during the bump in, and once the show has closed, the bump out.
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Beneath the Sumner stage is where lifts are constructed to propel actors upward through trapdoors. Explore what happens out of sight, and discover how an orchestra pit is lying dormant below the front rows of the theatre.
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During a performance, the front-of-house audio operator balances sound from the actors’ microphones and the music, creating an artificial equilibrium that feels absolutely natural.
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Mark Wheeler is Theatre Operations Director at Southbank Theatre. He introduces us to the front-of-house staff you see in the foyer, who keep the theatre running and who make the audience’s visit one to remember.
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Actors can spend a LOT of time at the theatre; so much so it can become like a second home. And with jobs that require them to change clothes, shower and sometimes sleep at work, they need a space in which to do these things. Enter, the dressing rooms…
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A theatre show is like an iceberg, with the performance only the visible tip of a vast, hidden world. Unseen by the audience are the months of work that has taken place for a show to reach the stage. This work is facilitated by the production manager.
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A good story deserves an audience. And adaptations have the ability to transcend mediums, opening great stories up to new audiences, or giving existing audiences a chance to re-engage with their old favourites.