Video
Director Simon Phillips and members of the As You Like It cast discuss the specifics of what makes this play funny.
Education
A resource pack for teachers and students to learn more about Fun Home, with links to the VCE Theatre Studies curriculum.
Script Notes
Tim Walter performs one of Shakespeare's most iconic speeches in As You Like It. Discover how he brings the words to life with his notes on the Seven Ages of Man monologue.
Education
A resource pack for teachers and students to learn more about Shakespeare's As You Like It, with activities to analyse and explore the MTC production.
Interview
Production Manager Michele Preshaw and Scenic Art Supervisor Shane Dunn reflect on the process of bringing Shakespeare's Forest of Arden to life on the Sumner stage.
Q&A
Set and Costume Designer Alicia Clements explores the process of creating the magical world of As You Like It on stage.
Q&A
Director Simon Phillips discusses the specifics of Shakespearean comedy, mistaken identity and witty wordplay in As You Like It.
Q&A
Lighting Designer Nick Schlieper discusses shadow, colour and light in his work on As You Like It.
Feature
Discover the motivations, philosophies and personalities of the characters that inhabit Shakespeare's topsy-turvy world from the people that know them best – the cast of As You Like It.
Education
A resource pack for teachers and students to learn more about the MTC production of Cyrano by Virginia Gay after Edmond Rostand.
Education
Refresh your memory of Cyrano by Virginia Gay after Edmond Rostand, and prepare for the VCE Theatre Studies examination.
Education
A resource pack for teachers and students to learn more about the MTC production of Berlin by Joanna Murray-Smith.
Education
Christina Smith explains the process of designing the set for Berlin by Joanna Murray-Smith.
Q&A
Set Designer Christina Smith talks with MTC about exploding houses, researching like a spider, the sandwich of history – and how this all informed her design for the Berlin set.
Feature
A ‘slightly overbearing’ oil painting – a sea-scape with dramatic rain clouds in an ornate frame – is a focal point in Christina Smith’s set design for Berlin. Read on to discover the story behind it, and the play’s big twist. Spoilers follow!