Show artwork for MTC receives 23 Green Room Award nominations
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MTC receives 23 Green Room Award nominations

We’re thrilled that seven of our Season 2019 productions have received a total of 23 nominations in 12 categories for the 37th annual Green Room Awards.

We’re thrilled that seven of our Season 2019 productions have received a total of 23 nominations in 12 categories for the 37th annual Green Room Awards.

For Theatre Companies, Melbourne Theatre Company received 20 nominations across 9 categories, while Kiss of the Spider Woman received three Musical Theatre nominations.

Congratulations to all artists and companies nominated in this year’s Awards. You can view a full list of nominations on the Green Room Awards website

A View from the Bridge
Outstanding Performance – Steve Bastoni
Outstanding Performance in a Featured Role – Andrew Coshan
Ensemble
Lighting Design – Niklas Pajanti
Set Design – Christina Smith
Music, Composition and Sound Design – Kelly Ryall
Direction – Iain Sinclair
Production 

Black is the New White
Writing/Adaptation for the Australian Stage – Nakkiah Lui
A Sydney Theatre Company Production

Golden Shield
Outstanding Performance – Jing-Xuan Chan
Outstanding Performance in a Featured Role – Yuchen Wang
Lighting Design – Damien Cooper
Set, Costume & AV Design – The Sisters Hayes
Writing/Adaptation for the Australian Stage – Anchuli Felicia King
Direction – Sarah Goodes
Production

Kiss of the Spider Woman
Lead Role – Ainsley Melham
Sound Design – Nick Walker
Set Design – Alicia Clements

Photograph 51
Lighting Design – Nick Schlieper 

Shakespeare in Love
Outstanding Performance – Michael Wahr
Costume Design – Gabriela Tylesova

The Violent Outburst That Drew Me To You
Writing/Adaptation for the Australian Stage – Finegan Kruckemeyer

The 37th annual Green Room Awards will be held on Monday 30 March at the Comedy Theatre in Melbourne.

Iain Sinclair was part of the original creative team of Red Line Productions’ A View from the Bridge in 2017. MTC acknowledges RLP’s development of Iain’s vision for the RLP production.

Published on 18 February 2020