Q&A
Composer and Sound Designer Mufeez Al Haq discusses his work on I Wanna Be Yours.
Q&A
Composer and Sound Designer Marco Cher-Gibard discusses the music and sounds of Laurinda.
Interview
Danni A. Esposito, the Sound Designer for The Sound Inside, is obsessed with dissecting scripts. They talk to us about where the obsession began, their career journey so far and the aural world of The Sound Inside.
Q&A
Composer and Sound Designer Ian Moorhead discusses the key elements in his design for SLAP. BANG. KISS.
Q&A
Composer and Sound Designer Kelly Ryall discusses the sonic world he has created for Berlin.
MTC Audio Lab
Clemence Williams began 2020 as composer and sound designer on Torch the Place. Returning to MTC for The Turn of the Screw was a lifesaver, she says. Here, she talks about creating ambience designed to be barely noticed...
Q&A
Currently working on Torch the Place, composer and sound designer Clemence Williams reveals how she uses sound to transport audiences through time and place.
Q&A
Composer and Sound Designer Darrin Verhagen tells us about the sonic world of Storm Boy.
Q&A
Composer and Sound Designer Ian Moorhead combines dubstep, Rambo and 8-bit video games in a sonic world for The Violent Outburst That Drew Me to You.
Interview
Composer and Sound Designer Chris Williams discusses the musical world of Così.
Q&A
Chris Williams discusses how composition and sound design support the emotional core of play.
Feature
Sidney Millar takes us on a month-long journey through Wild’s sound design.
Q&A
Ian McDonald tells us about the sound of Macbeth’s world.
Q&A
Darius Kedros discusses diegetic and non-diegetic sounds in Melbourne Talam.