For donor Diana Burleigh, the theatre brings out joy, passion and expression. Her love of theatre is complemented by her dedicated support of the Company.
Diana’s love for theatre started early. Her first play, at only five years old, was a nativity production at her school in England. Cast as a Scottish “child of the world”, she walked to the front and took a seat. Within two years she was promoted to play Mary. Diana’s love of theatre was born.
Whilst Diana’s brothers excelled in sports, Diana devoted herself to all things theatre, going on to study drama in London and working for several British repertory companies before moving to Australia and becoming a drama teacher. During her time teaching drama, Diana also managed work as a free-lance broadcaster and journalists, reviewing productions and interviewing theatre personnel. Whilst she is retired now, she continues to contribute to the theatrical culture of Melbourne, working frequently with the Gilbert & Sullivan Opera Victoria and as Vice President of the Theatre Heritage Australia. In both her roles, Diana strives to preserve Australia’s theatrical history for generations to come.
Diana’s love of the arts is more than apparent. She has an extensive collection of Vanity Fair Man of the Day posters, featuring 19th century caricatures of theatre makers of the day. Diana also has a wonderful archive of the works of Shakespeare, W.S Gilbert, and other esteemed playwrights.
Like many of our donors, Diana has been a patron of Melbourne Theatre Company since the Russel Street days. I was thrilled to hear about the community she built with other young theatre goers during this period. She still proudly displays a signed poster of Zoe Caldwell in our production of Medea in 1984!
Whilst Diana acknowledges that every play isn’t for her, she still makes an effort to see the entire season, frequently joined by close friend David. She loves the classics and is always grateful to see a Shakespeare in the Company season. However, a surprise favourite of Diana’s this season has been The Black Woman of Gippsland. Andrea James’ storytelling ability, and the exciting use of lighting throughout the play was a highlight for her this year so far.
When I ask Diana why she believes theatre is so important, I see her story coming together. She firmly believes that the community around the arts is like no other, having been so integral to the life she leads. Diana views the arts as a community of passionate people, not unlike Australia’s enthusiastic sports supporters. This is not more evident than the hard work she puts into her volunteering roles.
Diana is someone who has played many roles in her life; teacher, director, actor, critic. Her love of, and engagement in theatre can be seen in all of them. Diana gives to theatre, not just for herself but for the community of people who share her passion for the stage.
It is only with the continued support of donors like Diana that mean we can continue to create outstanding productions and ensure theatre remains a vibrant and essential part of Melbourne’s cultural landscape for generations to come.
Published on 8 July 2025
