Bringing you the joy, curiosity and entertainment of a trip to the theatre.
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MinterEllison Future Director Laura McKenzie on femme clowns and the joy of being a small fish in the Losing Face rehearsal room.
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An absolutely unhinged and spikily clever new comedy about friendship and the true price of chasing youth.
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A wildly funny new comedy from Marieke Hardy, Losing Face takes a scalpel to beauty culture and the relentless pursuit of youth.
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The Losing Face cast put their knowledge to the test as they attempt to define wellness buzzwords.
Programme
Hear from writer Marieke Hardy on the privilege of growing older, and meet the cast and creatives bringing this deliciously unhinged new comedy to the Sumner stage.
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Get a peek inside the rehearsal room as the Losing Face team prepare to bring this unhinged new comedy from Marieke Hardy to the Sumner stage.
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What's your go-to food after a long day of rehearsal? Our Youth Ambassadors submit their burning questions.
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Friendship. Death. Love. Aging. The cast chat through the themes behind this unforgettable new comedy.
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From solo soy-soaked dinners beneath Hamer Hall to vegan jaffles with friends, find out writer Marieke Hardy's favourite spots.
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Playwright Marieke Hardy reveals why she's so obsessed with death, ahead of the world premiere of her brand new comedy zeroing in on the anti-ageing industry.
Programme
Read Joanna Murray-Smith's thoughts on the pleasures of working with a Chekhov original, and take a look at the costume sketches before you see Uncle Vanya on stage.
The cast and Director Anne-Louise Sarks unpack the enduring qualities of Chekhov’s Uncle Vanya and why our winter blockbuster production is one you can't miss.
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Take a peek inside the rehearsal room as the Uncle Vanya team prepares to bring Chekhov's timeless tale of longing, unrequited love and the fragile hope of change to Arts Centre Melbourne.
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The cast and Director Anne-Louise Sarks discuss the comedy in Joanna Murray-Smith's adaptation of the Chekhov classic.
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Playwright Marieke Hardy reveals why she's so obsessed with death, ahead of the world premiere of her brand new comedy zeroing in on the anti-ageing industry.
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Director Bert LaBonté on the moment he knew Donné Ngabo was perfect to play Sydney Poitier in the Australian premiere of Retrograde.
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Director Mark Wilson discusses the life-changing moment he read Tennessee Williams's memory play, and Alison Whyte shares the characteristic she's most excited to bring out in Amanda Wingfield.
Leigh Lule discusses what drew her to Madelaine Nunn's moving comedy drama about chasing your dreams when the odds are stacked against you.
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Playwright Jean Tong explains the inspiration behind this darkly funny workplace comedy about two colleagues trying to find meaning in their lives.
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Playwright S. Shakthidharan on why audiences should see this highly theatrical story, co-created with Eamon Flack.
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The writer and director of this brand new adaptation of E.M. Forster's literary classic discuss what they love most about this big-hearted story.
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Manali Datar and Dan Spielman take us behind this brand new play by Tom Holloway, inspired by true events.
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Artistic Director Anne-Louise Sarks takes us deeper into the stellar line-up of Australian stories, renowned classics and international hits of Season 2026.
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MinterEllison Future Director Laura McKenzie on femme clowns and the joy of being a small fish in the Losing Face rehearsal room.
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Lilah Benetti on their early connection with Hollywood star Sidney Poitier, and what they wish they knew earlier in their career.
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From solo soy-soaked dinners beneath Hamer Hall to vegan jaffles with friends, find out writer Marieke Hardy's favourite spots.
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A guide to the photos on display at The Lounge, Southbank Theatre.
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Assistant Director Jamila Main on disability, queerness, and finding themself in Tennessee Williams' most personal play.
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Learn more about Melbourne’s 2,582-metre box girder bridge.
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Set Designer Anna Cordingley on power, property and the renowned St Kilda house that inspired the world of Much Ado About Nothing.
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Genevieve Morris on finding the humour and humanity to play Cory Taylor in Dying: A Memoir.
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Nephrologist Dr Adam Steinberg on why it's crucial to have open, frank conversations about our mortality, ahead of the world premiere of Benjamin Law's stage adaptation of Dying: A Memoir.
Video
Take a peek inside the rehearsal room as the Uncle Vanya team prepares to bring Chekhov's timeless tale of longing, unrequited love and the fragile hope of change to Arts Centre Melbourne.
Video
The cast and Director Anne-Louise Sarks discuss the comedy in Joanna Murray-Smith's adaptation of the Chekhov classic.
Video
An absolutely unhinged and spikily clever new comedy about friendship and the true price of chasing youth.
Video
The Losing Face cast put their knowledge to the test as they attempt to define wellness buzzwords.
Video
Get a peek inside the rehearsal room as the Losing Face team prepare to bring this unhinged new comedy from Marieke Hardy to the Sumner stage.
Video
What's your go-to food after a long day of rehearsal? Our Youth Ambassadors submit their burning questions.
Video
Friendship. Death. Love. Aging. The cast chat through the themes behind this unforgettable new comedy.
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The creative team behind The Glass Menagerie discuss their process of bringing the world of Tennessee Williams’ classic play to life on stage through set and costume design, lighting and music.
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Hear what audiences are saying about Retrograde.
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Year 11 Theatre Arts students submit some hard-hitting questions to Retrograde director Bert LaBonté and MinterEllison Future Director Lilah Benetti.
News
We’re delighted to receive 15 nominations for five of our Season 2021 productions for the 39th annual Green Room Awards.
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Hear from the cast of As You Like It as they discuss the process of bringing Shakespeare's characters to life on stage.
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Discover how the MTC wardrobe team brought Alicia Clements's intricate costume designs for As You Like It to life.
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Director Simon Phillips and members of the As You Like It cast discuss the specifics of what makes this play funny.
Script Notes
Tim Walter performs one of Shakespeare's most iconic speeches in As You Like It. Discover how he brings the words to life with his notes on the Seven Ages of Man monologue.
Education
A resource pack for teachers and students to learn more about Shakespeare's As You Like It, with activities to analyse and explore the MTC production.
Interview
Production Manager Michele Preshaw and Scenic Art Supervisor Shane Dunn reflect on the process of bringing Shakespeare's Forest of Arden to life on the Sumner stage.
Q&A
Set and Costume Designer Alicia Clements explores the process of creating the magical world of As You Like It on stage.
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Director Simon Phillips discusses the specifics of Shakespearean comedy, mistaken identity and witty wordplay in As You Like It.
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Lighting Designer Nick Schlieper discusses shadow, colour and light in his work on As You Like It.
Ask MTC
For this instalment of Ask MTC, Nick asks how the Company manages water onstage. CAD Drafter Jacob Battista answers, with a little help from Health & Safety Coordinator Liz Mundell.
Ask MTC
In this instalment of Ask MTC, Senior Production Technician Allan Hirons answers Simon’s question about prop guns and onstage SFX.
Ask MTC
Break a leg! Ghost lights (and theatre ghosts). The Scottish play. This Ask MTC question is all about the spooky and the superstitious on stage.
Ask MTC
Benjamin Law answers a collection of audience questions about how to write a play – including the mechanics of writing character and dialogue, finding inspiration, and the challenges of writing for the stage versus writing for the screen or the page.
Ask MTC
For Ask MTC, our dedicated wigs and make-up artist Jurga Celikiene answers Hilary’s question about how we make our actors’ wigs – and details the journey of one wig over 14 years!
Ask MTC
This week, Nick asked about the revolve on a stage – what is it and how does it work? One of our technical wizards, Kerry Saxby, provides the answer.
Ask MTC
This week, Props Buyer Jess Maguire answers a question submitted by Lee, who wants to know what happens to our props and sets after a show is finished – do we re-use them? If so, how often and how do we re-purpose them?
Ask MTC
This week, Michelle Lim Davidson answers a question from Janice, who wants to know how actors remember all their lines, and how they cope when they forget one!
Ask MTC
During Open House Melbourne last weekend, we threw open Southbank Theatre’s virtual doors for a behind-the-scenes tour with Theatre Operations Director Mark Wheeler, and then opened the floor to your questions.
Ask MTC
In this regular feature, you ask the questions and we answer them. This week’s questioner didn't leave a name, but asked all about playwriting. Great question, Anonymous!